Best Careers: Curator

As one of the 50 Best Careers, this should have strong growth over the next decade

December 6, 2010 RSS Feed Print

The rundown:

The sign at the museum may say "Do Not Touch," but curators—the museum officials who select artifacts of artistic, scientific, and historical value to be displayed in a museum or institution—have a hands-on job. Whether it's ancient Egyptian sarcophagi, brachiosaurus fossils, or a splatter painting by Jackson Pollock, the pieces of history on display at your favorite museum were put in place by a curator, whose work involves organizing exhibits, soliciting new works, and researching, restoring, and verifying the authenticity of artifacts. Curators are often the public face of a museum, leading educational programs and lectures, writing books, and relied upon for their expertise in a particular subject matter, from geology to photography.

[See a list of The 50 Best Careers.]

The outlook:

The Labor Department projects the number of curators will rise by 23 percent over the next several years, well above the average rate for all careers. By 2018, there should be about 2,700 new positions added. Some museums have struggled over the past few years, cutting staff and putting extra burdens on those who remain. So competition for curatorial positions may be tough until the economy fully recovers. Those who don't rise to the top may seek related work as museum technicians, archivists, or researchers.

Money:

Salary depends on the size and prestige of the institution or museum. The median annual earnings of curators in 2009 were about $48,000, with the middle 50 percent earning between $35,000 and $65,000. The highest 10 percent of curators earned more than $83,000. Still, this is a job for people who love the work and can live without a fat paycheck.

Upward mobility:

In small museums and institutions, there may be few opportunities for upward mobility. Curators there often move on to positions at larger institutions. At larger museums, curators can be promoted to museum director. Being published in scholarly journals or writing a book can be a factor in advancement.

Activity level:

It depends on the institution. Some curators' duties are mainly comprised of research and working with the public, while others may be involved in the installation of exhibits, which can involve lifting, climbing ladders, and carrying objects. Curators for large institutions are often asked to travel, and the job increasingly involves fundraising. Those who work for scientific institutions or historical sites may do field work that involves vigorous outdoor activity.

[See a list of the best creative and service careers.]

Stress level:

Moderate. Curators must be comfortable with public speaking. They also must be able to lead a large staff, from assistant curators to volunteers. This means they are able to delegate many tasks.

Education and preparation:

Most museums require a master's degree in the curator's area of expertise, such as art history or archeology, or in museum studies. Prestigious museums may prefer a doctorate degree. Curators who work in conservation may find that chemistry courses are good preparation for their career. The job also requires practical experience in one's area of expertise, whether it's years spent managing a gallery or a stint at an archeological dig. Curators also must demonstrate strong writing skills in order to contribute to catalogues and museum promotional materials. Leadership and business experience are highly valued, since many curators find that completing grant proposals is an important part of their job.

Real advice from real people about how to land a job as a curator:

"In terms of art, there are basically two paths you can go. One is contemporary art, and the other is every other field. If you want to be a curator of Old Masters, you'll almost definitely need a Ph.D. in art history. If you're interested in contemporary art, it's different. You'll probably need a master's but you also need to be out there where artists are living and breathing, working in a gallery or museum as early as possible. There's no specific path, but experience in the field is extremely important." — Sally Block, executive director of the Association of Art Museum Curators

 

Suggested job searches: Museum Curator jobs | Museum Director jobs | Museum Interpreter jobs | Museum Scientist jobs

Reader Comments Read all comments (8)

Add Your Thoughts
Your comment will be posted immediately, unless it is spam or contains profanity. For more information, please see our Comments FAQ.

I was thinking about doing this, because I love art and all its aspects; but realistically, will I have a job waiting for me? Will it be worth all the money my parents and I have to give for college? I don't think so...correct me if I'm wrong, but so far, that's what it seems like:(

Princy of NY 10:28AM October 28, 2011

I take exception to the comment that those who don't "rise to the top" for curator positions should try for positions as archivists. Being an archivist itself is a great, challenging career-not a career someone should choose because they didn't make the grade for a position as curator.

Tiffany of SC 8:30PM September 28, 2011

While I acknowlege the concerns of the other readers, I do think that the discipline of art history is slowly becoming more diverse, but it's surely got a long way to go.

As a mixed race, not wealthy, woman with a M-Phil in Art History, a job in art philanthropy I am shocked by the numbers: "The number of curators will rise by over 23 percent in the next several years..." Where on earth did they get this number? It would imply a massive surge in the number of museums and galleries putting on academically curated shows. But I don't see how our current economy will support the growth of arts and culture at that rate. I find it very unlikely that any part of the arts and culture field (particularly institutions that depend on donations) will see this rapid of growth.

I also worry --- STRONGLY worry -- about the over use of the term "curate". To curate an exhibition - be it in natural history or contemporary art - requires a very high level of academia and interpretations of cultural theory... yet everyone who's ever hung a picture at their sister's house seems to think they're qualified. I'm glad the article at least reminded less informed readers that publication is a vital contributing factor. Being a curator is difficult, complicated, academic, and sociopolitical. But the racial/social elitism of the art world is not the same as the ART. Because art (and all creative acts) at it's core is inherently democratic and has always been produced by the "working classes"; it acted to defy the wealthy establishment who so fervently purchased in and place it in ivory towers.

m.e.f of CA 8:40PM September 12, 2011

Jobs That May Interest You

advertisement

U.S. News Rankings & Research

U.S. News delivers quality analysis and clear objective rankings to help you make informed financial decisions.

Advance your career with an online degree

advertisement